The Autumn 2024 Couture and Made-to-Measure Collection
Bridging SKYLAR™, past and present—a study in movement, transformation, and couture.
Skylar’s debut collection, Show Us: Imperfect Beauty, is a poetic dialogue between nature and architecture, where organic forms meet structural precision. Each piece embraces imperfection and transience, capturing the fleeting beauty of light, shadow, and motion through sculptural silhouettes. Harmonizing classical craftsmanship with contemporary innovation, this collection lays the foundation for Skylar’s evolving vision. From ethereal florals to architectural tailoring, this study in duality explores softness and structure, romance and realism, nature and craft.
Though presented here as a complete body of work, the SKYLAR Autumn 2024 Couture and Made-to-Measure Collection marked the house’s debut and unfolded gradually across the year — revealed in fragments, gestures, and quiet transmissions. Its direction was clear from the outset, yet each piece emerged in measured sequence, layers surfacing in their own time. What was held privately found its articulation through construction. In this unfolding, SKYLAR’s language began to take form.
Couture Architecture
The Peony Veil
A full-wrap corset was constructed over structured mesh, its individually sewn boning channels anchored by an integrated twill waist stay. Channels were intentionally shortened at the back to preserve an open silhouette, allowing the structure to hold at the waist while revealing negative space across the spine.
A custom balconette foundation was shaped and bound prior to integration into the corset body. A organic cotton interior layer softened the structure against the skin.
Only after structural resolution was the exterior applied: 3/8-inch hand-cut silk strips folded and stitched in disciplined repetition across the bodice, releasing into hand-shaped silk buds at center front and side seams.
The Gown of Seasons
Built upon a grommet-laced corset reinforced with horsehair panels, the gown’s primary volume was established through a custom crinoline cage.
Over this framework, bodice layers were formed directly on the mannequin — translucent structural fabric draped and refined to resolve contour before permanent assembly. A radially paneled overskirt was drafted and constructed in stabilized segments to preserve circular geometry. Applied boning controlled projection, allowing the silhouette to suspend cleanly from the waist.
Only then were layered tulles and hand-cut silk and taffeta motifs individually secured to the exterior.
The Shooting Star
Internal construction intensified to carry the weight of hand-beading. A constructed interior silk dress anchored a balconette foundation with adjustable hardware straps, over which a tailored gazar shell was formed.
Organza and beadwork were hand-sewn directly onto this structured exterior, with visible two-tone hand finishing framing hem and closure.
Tailoring & Adaptability
In contrast, tailoring found expression in double-faced wool, split, folded, and re-bound to achieve clean, weightless edges without visible topstitching.
The Reverie Jacket’s sculptural collar resolves form through contour rather than reinforcement.
A tailored jumpsuit with paneled cigarette trousers — defined in line, exact in proportion — structured sport rendered through tailoring.
The Umbra Coat extends this structural inquiry into adaptability. Constructed with a detachable lower panel, the silhouette shifts between coat and jacket. Engineered for mobility, it compacts into a petite attachable pouch or folds to fit within a pocket — transformation embedded within the construction itself.
Materials & Origin
Materials were sourced in Manhattan’s Garment District.
Each piece was constructed in New York City.